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The Diasporic Connotations of Collage: Loïs Mailou Jones in Haiti, 1954–1964 | American Art: Vol 32, No 1
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Delilah W. Pierce Exhibited At A Tribute For The First African American Painter Of Note – Lois Mailou Jones At Martin Luther King Library, 1979 – Delilah W. Pierce
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The Diasporic Connotations of Collage: Loïs Mailou Jones in Haiti, 1954–1964 | American Art: Vol 32, No 1
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Africa in the Arts of Philadelphia: Bullock, Searles, and Twins Seven-Seven by Woodmere Art Museum - Issuu
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Designing a New Tradition: Loïs Mailou Jones and the Aesthetics of Blackness by Rebecca VanDiver, Hardcover | Barnes & Noble®
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The Diasporic Connotations of Collage: Loïs Mailou Jones in Haiti, 1954–1964 | American Art: Vol 32, No 1
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